Слухам BUZZ на ASPARAGUSPROJECT скачать

Слухам Buzz на asparagusproject скачать

Слухам Buzz на asparagusproject скачать

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"I know it sounds really weird and a kind of romantic thing to say, but I remember exactly where it happened, where I was sitting on the bus, how I continued and everything.

Jerry Wexler did one recording of "Careless Whisper" with me. Then we re-mixed that, which meant re-shooting the video and then we completely re-did the track about four weeks before it was due to be released. When we originally made it I was totally in awe of Jerry Wexler and it was the first time that I had ever felt like that about anybody that I'd worked with. Usually I have trouble convincing myself that people know what they're doing. In this case I had to get drunk in order to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions about whether the record was good enough for the song and whether there was enough of me in it because it just did not sound like me.

As the band felt they had "screwed up" the video, further footage of George singing on-stage was later shot at the Lyceum Theatre in London.

It had just started to cool off a bit when I discovered that the blonde girl from Queensway had moved in just around the corner from my school. She had moved in right next to where I used to stand and wait for my next-door neighbour, who used to give me a lift home from school. And one day I saw her walk down the path next to me and I thought – now where did SHE come from?

He said in 1991 that it "was not an integral part of my emotional development...it disappoints me that you can write a lyric very flippantly—and not a particularly good lyric—and it can mean so much to so many people. That's disillusioning for a writer."

How can a social norm that discussions about faith are an intimate topic survive the existence of proactive religions?

Michael observed that after he stopped wearing glasses, he began getting invited to parties. "And the girl who didn't even see me when I was twelve invited me in," he noted.

So I went out with her for a couple of months but I didn't stop seeing Helen. I thought I was being smart – I had gone from being a total loser to being a two-timer. And I remember my sisters used to give me a hard time because they found out and they really liked the first girl. The whole idea of "Careless Whisper" was the first girl finding out about the second – which she never did. But I started another relationship with a girl called Alexis without finishing the one with Jane.

.. The whole time I thought I was being cool, being this two-timer, but there really wasn't that much emotion involved. I did feel guilty about the first girl – and I have seen her since – and the idea of the song was about her.

Jazz musician Dan Forshaw later revealed that saxophonist Steve Gregory had got a call to re-record the song's sax solo, and he was the 11th saxophone player to record the solo as George wanted to get the sound he hoped for.

He just couldn't play the opening riff the way George wanted it, the way it had been on the demo. But that had been made two years earlier by a friend of George's who lived round the corner and played sax for fun in the pub."

I didn't have a proper note on my saxophone, I had what we call a fake fingering I had to do to play it. So it didn't really sound that smooth. It didn't sound that great. And so having been around for a while, having had a bit of experience, I suggested to him, I said, 'look, if you took it down by a semitone, a very small amount, I'd have all the proper notes on my horn and we could see how it sounds. So that's what he did, he sort of did his calculations and took it down a semitone, so I went out again and I played it in a lower key and when after I finished it I went back into the control room and he played it back and he put it back up to the proper speed, and as he was playing it back, George walked into the studio, and he said 'Oh, I think we got it!' Then he pointed at me and said, 'You are number 9!'"
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"I’m not sure that I’ll go, but I may do." — Why does "may do" sound unnatural here in American English?

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